This is, in my opinion, the best of the six parts. But unlike so many bands doing this ultra-technical, mathematical style, Tesseract grooves. Dan's vocals, the guitars, the bass, the drums, they all come together in a endeavor of near musical genius. Dan's vocals are again magnificent. But he also sings melodically a la Claudio Sanchez of Coheed and Cambria and we even get some nice harmonic sections. Imagine a movie scene where a body convulses as it's shot with bullets coming from multiple directions. The whole opening piece is, well, a great opener. 
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Despite the massive complexity of the music, they seemed humble and hardworking. As the powerful introduction suggests, TesseracT works best when they counterpoint heaviness and lightness as one.
One of the best works available in djent.
But he also sings melodically a la Claudio Sanchez of Coheed and Cambria and we even get some nice harmonic sections. Overtop the mathematically sound madness are the soaring vocals of singer Dan Tompkins, which while incorperating screams into the mix from time to time, are for the most part, very melodic and powerful.
Please consider supporting us by disabling your ad blocker. As a great concea,ing of this While I would rarely say this for an EP, this has indeed been one of the best things to be released this year. He was energetic and gratious on stage, and in fact the band was just really easy to like live.
The instrumental sections are magnificent, as is the rest of the track. I cannot wait for their first full-length.
Imagine a movie cobcealing where a body convulses as it's shot with bullets coming from multiple directions. Thanks to progmetalhead for the addition Edit this entry.
The Headbanging Behaviorist: TesseracT - "Concealing Fate p.1"
PART IV is, as the tile Sadness suggest, an even more melancholy, although there is a wee bit more djent in the short part. Other twsseract that, the track was magnificent.
While there isn't a highlight necessarily in terms of tracks, the first two tracks do seem to work as individual compositions as well as part of the greater whole, while the latter portion of the EP is suited towards only being considered part of the epic.
Dan Tompkins has a very good melodic sense and shows us a very broad variety of vocal sounds. Copyright Prog Archives, All rights reserved. I had already dipped myself firmly into the djent vat of molten metal, so I was prepared for the overall sound. A small slap bass solo is fte nice change in pace for the song.
While it might not have the defined sections as a classic epic suite like Genesis' 'Supper's Ready' or 'A Change Of Seasons' from Dream Theater, the piece works wonderfully well as a composition, and the reoccurance of musical motifs and themes gives the journey a binding cohesion. It really shows the extreme conceaking influence in their music. You must be a forum member to post a review, please register here if you are not. As Tesseract played, this was the feeling I got in my spine.
This mixture of different times and sounds give a very chaotic, yet brilliant aspect to the music. Dan's vocals, the guitars, the bass, the drums, they all come together in a endeavor of near musical genius.
But unlike so many bands doing this ultra-technical, mathematical style, Tesseract grooves.
CONCEALING FATE
While the music shines throughout, there are indeed parts that might have benefitted had they had a little more variety of sounds to them, instead of a mere guitar barrage. The whole opening piece is, well, a great opener. To be quite honest, there are few bands that leave an impression on me, without me first having listened to a full-length bout from them.
This contrast between the heaviness and beauty of the vocal work is incredibly difficult to do well, tesswract very effective when accomplished, and TesseracT seems to have no problem finding a proper balance. Other sites in the MAC network: Altered State Century Media Naturally, I would pursue the band's work further into their studio material. One Century Media
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